And when record company executives got their heads round the idea that these devices could be used to make their CDs louder than the competition, even the best mastering engineers found themselves under pressure to deliver flatlined mixes. In the wrong hands, however, they could turn a bad mix into an unlistenable master, eliminating any trace of dynamic variation. In the right hands, they could add that last bit of sparkle and polish that would make a finished mix sound like the work of a professional. Take, for example, the digital mastering processors that appeared in the '90s. Sometimes new technology gives us new ways to screw things up. If you want your mixes to go to 11, Waves' new mastering limiter might be the weapon you need. Here, I've gently boosted the upper-mid frequencies and cut the low mids. The Multimaximizer version of 元 can act as a mastering equaliser as well as a multi-band limiter.
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